This column discusses major plot-points of Star Wars: The Force Awakens. It has major spoilers.
George Lucas’s Star Wars was mythological. His characters were stand-ins for archetypes. Any one of us could imagine being Han, Luke, or Leia, the hero who rises to the moral challenge. But J.J. Abrams’s Star Wars is Shakespearean. His story is of specific families. His characters are particular people whose histories matter. Audiences participate in Lucas’s epic, but Abrams asks us to be voyeurs.
It should not be surprising then, that the most intimate moments in The Force Awakens are the ones we want to brush past quickly, the conversation between broken parents and the love a father feels for his lost son. Lucas would have paused during these moments. He would have allowed us to contemplate with his characters, as when Luke sought his future in the double suns of Tatooine. But Abrams will have none of that. Things happen fast in the latest installment because free will is a luxury for Stormtroopers, not Skywalkers.